Showing posts with label Daniel Auteil. Show all posts
Showing posts with label Daniel Auteil. Show all posts

22 May 2014

Philippe Claudel’s ‘Before the Winter Chill’

After the award-winning I’ve loved you so long (Il y a longtemps que je t'aime) in 2008, Philippe Claudel wrote and directed Tous les soleils (2011), a comedy which has not been shown in the UK. His latest film (again with his script and direction) has come out here under the title Before the Winter Chill, a clunky translation of Avant l'hiver. Like I’ve loved you so long, it features Kristin Scott Thomas, whose presence probably secured the film’s release in the UK market.

Rotated in translation!
Scott Thomas takes the part of Lucie, wife of a neurosurgeon, Paul (Daniel Auteuil), who late in his career finds himself drifting into a strange relationship with a young Moroccan woman, Lou (Leila Bekhti). Claudel once more keeps his audience in a state of mild suspense as to the outcome while leading them in the wrong direction until late on. The main triangle is complemented by another between Paul, Lucie and their psychiatrist friend Gérard (Richard Berry), who clearly won’t hesitate to take his chance should their marriage start to crumble. The secondary characters help to sustain interest in an essentially slow plot. For example, Gérard helps Lucie in dealing with her sister Caroline’s illness, Paul bickers with their banker son, and there is a minor drama in his surgical team. Nonetheless, the two central performances are excellent: Auteuil gives a convincing portrayal of an intelligent man who, once removed from his métier, is an innocent abroad, while Scott Thomas gradually reveals Lucie’s increasing awareness of their problem, eventually, wounded but self-possessed, having to ask Gérard «Un patient ou une patiente?» (A man or a woman patient?)

I’m not sure where the film is set. Claudel was born in the Meurthe-et-Moselle department in the Lorraine region of north east France. His two previous films were set there, in particular partly in Nancy. Avant l'hiver seems to be located not far away, possibly in Luxembourg. Paul’s wife is played by Luxembourgeoise Vicky Krieps, and when Paul says he went to Mudam, he is referring to the Musée d'art moderne Grand-Duc Jean in Luxembourg. Certainly the standard of living seems like the Grand-Duchy, even if the number plates in the film look French. In an interview with AlloCiné, Claudel emphasised his film’s seasonal significance: ” … a man – a couple - before the winter of life, moving from a flamboyant autumn … a gradual loss of brightness. Despite the gloom which unfortunately accompanied all the filming, one feels, I hope this moisture, mist and cold, and the passage of time in the garden. The beauty of this image should be almost inversely proportional to the turbulence and chaos of feelings that shake the characters."

There are some obvious parallels between Avant l'hiver and another film recently posted about here, Joanna Hogg’s Exhibition. Both are concerned with the angst of upper-middle class couples who live in Modernist houses, though the France/Luxembourg one is more firmly in the Mies van der Rohe style. But whereas Kate Muir in The Times gave Exhibition 5/5, their Wendy Ide gave Avant l'hiver 3/5. Peter Bradshaw in the Guardian, who had shared Muir’s marking of Exhibition, went down to 2/5. Mark Kermode in the Observer again awarded 3/5. Well, I suppose it’s obvious that Claudel’s budget was many times Hogg’s, but I am, nonetheless, in no doubt as to which I thought the better film!




10 May 2011

So what’s a puisatier?

I haven’t posted for a while, having been in SW France sorting out our house with Mrs WI. We had decided, in a triumph of optimism over experience, to swap the roles of an over-sized salle de bain and a diminutive cuisine. The maçons and other artisans departed as we arrived, leaving a lot to get straight and on-line purchases from Darty (same group as Comet in the UK) to be installed. However, the worst is over and there is now time to look about.

François Mitterand became Socialist President of France 30 years ago (21 May 1981) and was in office until 1995. To judge from the way the media are marking the anniversary, a president of his stature is sorely missed. Certainly Nicolas Sarkozy is poorly regarded. Whether Dominique Strauss-Kahn (“DSK”) will return from the IMF to be the Socialist candidate for the presidential election next year is a hot topic. His wife’s (Anne Sinclair’s) blog, Deux ou trois choses vues d'Amérique, is listed below. The French left is notoriously schismatic, making it easy for the usually united right to deliver for their candidate, but Sarko is currently being outflanked on the far right by Mme Le Pen. If DSK were able to persuade the left to sink their differences and back him, he might stand a chance against a split right.

The most popular French film in France at the moment is La Fille du Puisatier (The Well Digger's Daughter). Maurice Pagnol (1895-1970) was a novelist and film-director now best-remembered for two of his novels, Jean de Florette and Manon des Sources, which he had made as one film in 1952. However, it was Claude Berri’s two films of the novels in 1986 which achieved international success. In 1940 Pagnol wrote the screenplay for, and directed, the original La Fille du Puisatier which has now been filmed by, and stars, Daniel Auteil. The plot is a variation on nice girl gets pregnant by Mr Right’s mate Mr Wrong, but will it all come right with Mr Right?

Well-diggers are likely to be in demand in SW France after a dry winter, and an exceptionally dry and warm spring. The vines, like cherries, strawberries, and so on are about three weeks ahead of normal.

Cabernet Sauvignon

















Things have come on quickly, even by comparison with their state in February.