|Titus at his Desk, 1655 (left) Titus in Monk’s Habit, 1660 (right)|
|A Woman bathing in a Stream, 1654|
There are far too many magnificent pictures in Late Rembrandt for them all to be reported here. Just a few that I was struck by include the Portrait of Jan Six (c1654, below left) and the Portrait of an Elderly Man (1667, below right) – old chaps are easy for me to identify with of course:
And who could not be moved by poor Lucretia (1664, below left and 1666, below right):
Similarly, The Apostle Batholomew (1657, below left and 1661, below right):
Among the portraits, Portrait of a Lady with an Ostrich-Feather Fan (c1656–58, below), was, like The Syndics, more conventional but no less impressive:
As with the Rubens show currently at the Royal Academy in London, the Late Rembrandt curators have avoided chronology and organised around abstract nouns, eg Intimacy, Contemplation, Emulation and so on. This means that the six Rembrandt Self Portraits here are separated after an introductory trio; they are: SP 1659, SP as the Apostle Paul 1661, SP as Zeuxis 1662, SP with Two Circles 1665-9 (also in the poster above), SP at the Age of 63 1669, SP 1669 (clockwise from top left):
Anyone seeing the Amsterdam version of Late Rembrandt/Rembrandt: The Late Works, which is truly deserving of the term "unmissable", will have the opportunity to view some of his other major works elsewhere in the Rijksmuseum and to visit his house and financial millstone, now a museum, Het Rembrandthuis. These will be covered in a later post here.
Late Rembrandt continues until 17 May.